This particular post is a thesis done by me during my college days which was part of my academic syllabus. It is a celebrity study of Shashi Tharoor, the renowned writer, politician and peace maker. I hope this thesis would help many to have a good idea of Shashi Tharoor as a celebrity.
Chapter One
Introduction
Author,
peace-keeper, refugee worker, human rights activist and Minister of State for
HRD – these epithets that describe the writer-cum-diplomat-turned-politician
Shashi Tharoor on the homepage of his website
<http://tharoor.in> bear testimony to the fact that Tharoor straddles
several worlds of experience. A spectacular career at the UNO, an array of
eminent books of fiction and non-fiction, justly famous columns in newspapers
and journals, and a nascent but tumultuous political career, have all catapulted
him into a significant celebrity status in India. The present study entitled “Shashi
Tharoor and India: A Global Profile” undertakes a study of celebrity culture vis-à-vis the celebrity-dom of Shashi
Tharoor, tracing the course of a high-flying career that has traversed the
domains of literature, diplomacy and, more recently, politics.
A celebrity is an individual whom the public
watches, someone who is recognized by a large number of people. High positions,
wealth, looks or power produce celebrities who are abundant and ubiquitous in
today’s world, from movie stars to television personalities, from politicians
and sportsmen to notorious scamsters. The celebrity status may be the
consequence of the recognition of certain qualities possessed or deemed to be
possessed by a person. An individual therefore becomes a celebrity only when he
or she is acknowledged in the public realm as possessing something special. Celebrities
become heroes or heroines, villains, youth icons, role models, and have a
cultural function for society to look up to, emulate, be inspired by, despise
or criticize. “Celebrities give the public pleasure, pain or suffering with
their actions and win adulation or opprobrium accordingly” (Nayar 4). It is
important to note that the circulation and consumption of celebrities occurs
from below – at the level of real people who are well below the celebrities in
terms of class, social and cultural power. There is no celebrity without an
audience. The audience is an integral part of the spectacle of celebrity. Celebrity
culture is a transaction between the mediated image and the audience. Hence celebrity culture involves not only
celebrities and media productions but also the public, the consumption
audiences who feed on celebrity data.
Celebrities are created by a public awareness of the
actions of certain individuals and, this public awareness is made possible by
the mass media. One way of understanding the production of celebrity is to
classify her or him as a spectacle that focuses on individual or collective
abstract desire, a process that Chris Rojek terms ‘celebrification’ (cited in
Nayar 68). Ours is an age that celebrates fame through media productions and
circulation. Well-known is often a tag that is synonymous with fame.
Increasingly, fame, renown and celebrity are used interchangeably, though there
is a fine distinction between them. If fame is the consequence of deeds and
achievements of a person worthy of emulation, “celebrity is the consequence of
publicity and well- knownness” (Nayar 6).